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    I'd like to leave behind Rhodias reclaimed, the new Sanctuary and its dome,
    and ... and perhaps some memory of what we were, you and I.'
    'Three things,' she says, not able to think, just then, of anything more
    clever. It occurs to her that she will weep if she does not take care. An
    Empress ought not to weep.
    'Three things,' he echoes. 'Before it ends, as it always ends.'
    Uncrown, a voice was said to say when it ended for one of Jad's holy, anointed
    ones. The Lord of Emperors awaits you now.
    No one could say if it was true, if those words were truly spoken and heard.
    The god's world was made in such a way that men and women lived in mist and
    fog, in a wavering light, never knowing with certainty what would come.
    'More wine?' she says.
    He looks at her, nods his head, lets go of her hand. She takes his cup, fills
    it, brings it back. It is silver, worked in gold, rubies set around it.
    'I am sorry,' he says. 'I'm sorry, love.'
    He isn't even certain why he says this, but a feeling is with him now,
    something in her face, something hovering in the air of this exquisite room
    like a bird: not singing, enchanted into invisibility, but present nonetheless
    in the world.
    Not far away from that palace room where no bird is singing, a man is as high
    in the air as birds might fly, working from a scaffold under a dome. The
    exterior of the dome is copper, gleaming under moon and stars. The interior is
    his.
    There is light here in the Sanctuary; there always is, by order of the
    Emperor. The mosaicist has served tonight as his own apprentice, mixing lime
    for the setting bed, carrying it up the ladder himself.
    Not a great amount, he isn't covering a wide area tonight. He isn't doing very
    much at all. Only the face of his wife, dead now two years, very nearly.
    There is no one watching him. There are guards at the entrance, as always,
    even in the cold, and a small, rumpled architect is asleep somewhere in this
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    vastness of lamplight and shadow, but Crispin works in silence, as alone as a
    man can be in Sarantium.
    If anyone were watching him, and knew what it was he was doing, they would
    need a true understanding of his craft (of all such crafts, really) not to
    conclude that this was a hard, cold man, indifferent in life to the woman he
    is so serenely rendering. His eyes are clear, his hands steady, meticulously
    choosing tesserae from the trays beside him. His expression is detached,
    austere: addressing technical dilemmas of glass and stone, no more.
    No more? The heart cannot say, sometimes, but the hand and eye- if steady
    enough and clear enough-may shape a window for those who come after. Someone
    might look up one day, when all those awake or asleep in Sarantium tonight are
    long dead, and know that this woman was fair, and very greatly loved by the
    unknown man who placed her overhead, the way the ancient Trakesian gods were
    said to have set their mortal loves in the sky, as stars.
    Eventually, morning came. Morning always comes. There are always losses in the
    night, a price paid for light.
    PART II
    THE NINTH DRIVER
    CHAPTER VII
    Men and women were always dreaming in the dark. Most of the night's images
    fell away with sunrise, or before if they harried the sleeper awake. Dreams
    were longings, or warnings, or prophecies. They were gifts or curses, from
    powers benevolent or malign, for all knew-
    whatever the faith into which they had been born-that mortal men and women
    shared the world with forces they didn t understand.
    There were many who plied a trade in city or countryside telling those
    troubled by visions what they might signify. A small number saw certain kinds
    of dream as actual memories of a world other than the one into which the
    dreamer and the listener had been born to live and die, but this was treated
    in most faiths as a black heresy.
    As winter turned towards spring that year, a great many people had dreams they
    were to remember.
    A moonless night, late in winter. At a watering place in the far south, where
    camel routes met in Ammuz, near to where men had decreed a border with
    Soriyya-as if the shifting, blowing sands knew of such things-a man, a leader
    of his tribe, a merchant, awoke in his tent and dressed himself and went out
    into the dark.
    He walked past tents where his wives and children and his brothers and their [ Pobierz całość w formacie PDF ]

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